October 20-29, 2017
For five days of the workshop Migrations of bodies and words we shared stories, experiences, poems and reflections on the situation of people of a foreign origin living in Poland. Poetry and linocut were constituted our means of communication, collective action and designing a social change. To what extent may non-citizens count on protection on the grounds of employee rights and human rights in Poland? By which tools does the patriarchal capitalism wield control over women of a foreign origin and to what forms of labour does this capitalism sentence those women? In which acts of physical and psychological abuse does Polish xenophobia manifest itself? What is the reason behind the immigrants’ problems with self-identification and difficulties in entering close relations with the Poles? In what way does the capitalism create the precarious condition of a human being while interfering with their material and social status, as well as their physical and affective domain? And finally, how to find a field of social solidarity with the people excluded due to their origin?
Each of the meetings left a mark in the form of a poetic phrase which was handed over to the participants of the next meeting in order to be cut. As a result, a poem was created as a record of common experiencing and meetings. At the same time the linocut became a manifesto of a collective action.
The workshop Migrations of bodies and words was initiated by artists Yuriy Kruchak and Yulia Kostereva and realized in collaboration with poets Maja Staśko, Michał Kasprzak and Aneta Kamińska, as well as with the visitors of the exhibition “Gotong Royong. Things we do together”.
October 19, 2017 – January 14, 2018
Center for contemporary art U-jazdowski
Curators: Marianna Dobkowska and Krzysztof Łukomski
Architecture: Maciej Siuda
Open Place worked with economic migrants from beyond Poland‘s eastern border, Belarus and Ukraine. They conducted extensive research, led workshops and meetings, and recorded dozens of stories to make a series of posters. The documentation of their work was shown on the exposition, and their linocut workshop operated in the exhibition space as a place to meet, discuss and work together on a shared poem about the situation of immigrants and its representation by the linocut technique.
The immigrant condition observed by Open Place paradoxically has not changed in years and is free of cultural contexts. The first theme that emerged in the research was the search for a better future, and how much a change in context makes it possible. The second was the physical labour performed by people arrived from Belarus, Moldova and Ukraine. It is represented here in the form of shared creative work, during which the discussants will address the key themes and develop a joint position. The themes that emerged during the research were psychological violence, the instability of one’s position in society, restoring one’s agency and defining individual identity, violations of labour laws and human rights, corporatizing relations among people. Can the group formulate a joint manifesto, develop a shared hierarchy of values and establish priorities over individual preferences?
The project attempts to go beyond context and personal experiences to create a universal manifesto understandable to the grand public. It explores and broadens the model developed collectively as a series of impulses coming from different sources, which build up into a joint communiqué in the course of the discussion. The communal work, in which all visitors were invited to take part, aimed to integrate problems, themes, controversial issues and various points of view into a single work. The artists have stated their goal as building a universal dialogue tool that can strengthen civic engagement.